Saturday, 29 December 2012

[P901.Ebook] Download PDF Motherless Tongues: The Insurgency of Language amid Wars of Translation, by Vicente L. Rafael

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Motherless Tongues: The Insurgency of Language amid Wars of Translation, by Vicente L. Rafael

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Motherless Tongues: The Insurgency of Language amid Wars of Translation, by Vicente L. Rafael

In Motherless Tongues, Vicente L. Rafael examines the vexed relationship between language and history gleaned from the workings of translation in the Philippines, the United States, and beyond. Moving across a range of colonial and postcolonial settings, he demonstrates translation's agency in the making and understanding of events. These include nationalist efforts to vernacularize politics, U.S. projects to weaponize languages in wartime, and autobiographical attempts by area studies scholars to translate the otherness of their lives amid the Cold War. In all cases, translation is at war with itself, generating divergent effects. It deploys as well as distorts American English in counterinsurgency and colonial education, for example, just as it re-articulates European notions of sovereignty among Filipino revolutionaries in the nineteenth century and spurs the circulation of text messages in a civilian-driven coup in the twenty-first. Along the way, Rafael delineates the untranslatable that inheres in every act of translation, asking about the politics and ethics of uneven linguistic and semiotic exchanges. Mapping those moments where translation and historical imagination give rise to one another, Motherless Tongues shows how translation, in unleashing the insurgency of language, simultaneously sustains and subverts regimes of knowledge and relations of power.����

  • Sales Rank: #447069 in Books
  • Published on: 2016-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 272 pages

Review
"In this rich compendium, Vicente L. Rafael continues to teach us how to think about the long, unpredictable afterlives of empire—their entangled, translingual socioscapes, their webs of attraction, their insurgent, untameable energies. His pages are populated by intellects of remarkable imagination and insight, including, above all, his own."� (Mary Louise Pratt, author of Imperial Eyes: Travel Writing and Transculturation)

"Motherless Tongues presents the most compelling and deft analyses of the role of translation in the contexts of revolution, revolt, war, and empire in the Philippines and the United States. No work of this kind brings the Philippines and the United States together with its singular attention to the politics of translation, or with the kind of deep linguistic and cultural fluency that Vicente L. Rafael possesses. A significant figure in translation studies, Rafael is positioned to open new pathways to thinking about what translation brings to light in the contemporary moment."� (Neferti X. M. Tadiar, author of Things Fall Away: Philippine Historical Experience and the Makings of Globalization)

About the Author
Vicente L. Rafael is Professor of History at the University of Washington. His books include The Promise of the Foreign, White Love and Other Events in Filipino History, and Contracting Colonialism, all also published by Duke University Press.

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[M871.Ebook] Ebook Free Ecological Imperialism: The Biological Expansion of Europe, 900-1900 (Canto Classics), by Alfred W. Crosby

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Ecological Imperialism: The Biological Expansion of Europe, 900-1900 (Canto Classics), by Alfred W. Crosby

People of European descent form the bulk of the population in most of the temperate zones of the world - North America, Australia and New Zealand. The military successes of European imperialism are easy to explain; in many cases they were a matter of firearms against spears. But as Alfred W. Crosby maintains in this highly original and fascinating book, the Europeans' displacement and replacement of the native peoples in the temperate zones was more a matter of biology than of military conquest. European organisms had certain decisive advantages over their New World and Australian counterparts. The spread of European disease, flora and fauna went hand in hand with the growth of populations. Consequently, these imperialists became proprietors of the most important agricultural lands in the world. In the second edition, Crosby revisits his now classic work and again evaluates the global historical importance of European ecological expansion.

  • Sales Rank: #629669 in eBooks
  • Published on: 2015-10-31
  • Released on: 2016-08-09
  • Format: Kindle eBook

Review
Review of previous edition:
"Crosby has unfolded with great power the wider biopolitics of our civilization."
Nature

Review of previous edition:
"[This] book is important, and required reading for politicians worldwide ... Nuclear war may be spectacular and a valid focus for our exertions, but ecological insouciance is even more dangerous because it is unspectacular, and it merits efforts to combat it as strenuous and urgent."
The Guardian

Review of previous edition:
"The biological bases of radically changing historical ecosystems must never be forgotten - and Crosby has made them intelligible as well as memorable."
Natural History

Review of previous edition:
"Crosby argues his case with vigour, authority and panache, summoning up examples and illustrations that are often as startling in their character as in their implications. Ecological Imperialism could not ask for a more lucid and stylish exponent."
The Times Literary Supplement

Review of previous edition:
"In telling his very readable story, Mr Crosby combines a historian's taste for colorful detail with a scientist's hunger for unifying and testable generalization ... [He] shows that there is more to history than kings and battles, and more to ecology than fruits and nuts."
The Wall Street Journal

About the Author
Alfred W. Crosby is a Professor Emeritus in American Studies, History and Geography at the University of Texas at Austin, where he taught for over 20 years. His previous books include America's Forgotten Pandemic: The Influenza of 1918 (2nd Edition, Cambridge, 2003), Throwing Fire: Projectile Technology Through History (Cambridge, 2002), The Measure of Reality: Quantification and Western Society, 1250-1600 (Cambridge, 1997). The Measure of Reality was chosen by the Los Angeles Times as one of the 100 most important books of 1997.

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1 of 1 people found the following review helpful.
He differentiates the Neo-Europes from a place like South Africa
By Ayure-Inga Agana
In his book, “Ecological Imperialism: the Biological Expansion of Europe 900-1900”, Alfred Crosby gives a robust historical account of European imperial conquest in the places he calls Neo-Europes. He defines the Neo-Europes as places outside Europe, where European flora and fauna, including humans, supplanted native once, as a result of European colonial incursions between 900 and 1900. He differentiates the Neo-Europes from a place like South Africa, where Europeans only dominated politically, but could not transform the entire landscape to resemble that of mainland Europe. The crux of Crosby’s account is that European imperialism was successful in the Neo-Europes – North America, parts of South America, Australia, and New Zealand – in the scale that it did, not because of European military and technological might – as has been the dominant explanation – but because of ecological and geographical fortuity.
Crosby tries to answer the questions why and how people of the European race – unlike other races who are sited within given spatial gamut – are settled in various places, distant to each other, across the globe. Obviously, scores of people must have crossed the seams of Pangaea to these continents, but how? Crosby answers this question with a good history of navigation, which involves the discovery of the physical geography of the sea and an understanding of the global wind system – the key to the success of navigation. The discovery of the behavior of the oceans by the ancient explorers and the marinheiros made mass immigration possible.
With regard to how European flora and fauna came to dominate the Neo-Europes, Crosby gives credit to the climate as well as European weeds, and feral animals. Once the New World’s ecology had been disturbed, weeds of European descent shoved the native flora aside and created fertile grounds for European organisms to thrive. The argument is that weeds do well in lands that witness dramatic disturbances; hence, the grazing of European animals and the felling of trees for timber disturbed the new land – erosion. Weeds then took over these disturbed lands and stabilize them by covering up the soil against erosion and the scotching sun, creating much more fertile soil for European plants and grazing fields for European animals.
According to Crosby, the coup d'�tat that led to the obliteration of native populations in the Neo-Europes, and led a successful demographic take-over by Europeans, was not successful because of the brutality and superior weapons of the imperialist, but it was a concealed lethal weapon –disease – which they carried unknowingly that brought them victory. Native populations in the Neo-Europes lived in pockets of sparsely populated settlements, and largely engaged in hunting and gathering. This way of living made them vulnerable to new germs and diseases. The lack of success of European imperialism in places such as Africa and Asia, According to Crosby, was due to their resistance to European germs, and the presences of equally deadly disease, which the Europeans stood the chance of contracting. The explanation given for this is that Asians and Africans, like Europeans, lived in compact settlements with domesticated plants and animals, which exposed them on a constant basis to germs and diseases that developed from that way of living. As a result, they eventually developed some resistance to these germs and diseases. This comparison of the Neo-Europes with Africa and Asia, in my opinion, makes Crosby’s argument more plausible. If indeed, it was the superior weapons of the colonialist that led to the creation of the Neo-Europes, why was the situation different in Africa and Asia? According to Crosby, the natives of the Neo-Europes, already thinly populated, succumbed to European disease such as small pox, measles, dysentery, catarrhal jaundice, whooping cough, mumps, tonsillitis, and host of other diseases. Already weaken by diseases; the natives could not put up any meaningful resistance to European imperialism. In a nutshell, Crosby gives credit to European organisms – weed, feral animals, and pathogens – for the European imperial success in the Neo-Europes. He described these organisms, which he calls portmanteau biota, as working as a team to usurp the native biota for the eventual Europeanization of the Neo-Europes.
Crosby account does away with the usual misconception that natives lived in total harmony with their environment. Although the scale of native impact on the environment – the first wave of invasion – may have been much less than the European invasion – the second wave – they nevertheless left ecological footprints. This book also gives a background to western economic dominance over the rest of the world, as it talks about how they were able to appropriate resources from distant lands. The holistic approach Crosby adopts in his account, in my view, makes this book appealing and readable across disciplines – as a geographer, the chapter on the winds was particularly very informative to me, as I have known the direction of the global winds, but not the history behind their discovery. I also took some biology lessons from reading this book; particularly, the behavior of weeds and pathogens.
In one of the chapters, Crosby compares European weapons to those of natives, in an effort to downplay the issue of superior weapons as the main driving force of European imperialism. Although the Europeanization of the Neo-Europes had nothing to do with their superior weapons, the military might of the European colonialists cannot be belittled. What explanation will be given for European political dominance elsewhere? I believe Crosby could have still made a strong case for disease without drawing this comparison.

1 of 1 people found the following review helpful.
A quick and fascinating jaunt through 1000 years of history
By Shawn M. Warswick
Alfred W. Crosby earned his BA from Harvard University in 1952 and, after a 2 year stint in the US Army he went on to earn a Ph.D. from Boston University. Over the next 40 years he worked at several universities including Ohio State and the University of Texas, from which he retired in 1999 as Professor Emeritus of Geography, History and American Studies.
In Ecological Imperialism Crosby argues that a major aspect of European imperialism, actually the major aspect, is not their military superiority, which, in some ways, can be seen as over exaggerated. Instead their success in displacing native peoples in the Americas and Australia is due to environmental and biological factors. Crosby notes, “it could only be accomplished by exploiting the ecosystems, mineral resources, and human assets of whole continents outside the lands of the society making the jump.” (xviii) Thus, the spread of Europeans themselves, along with their disease, flora and fauna, over the entire planet, go hand in hand.
To support his argument, Crosby discusses the appearance of virulent disease in the Middle East, something he notes arrives with the Neolithic revolution. Unfortunately for the peoples who would settle in the Americas and Australia (native Americans and Aborigines), this took place after they had become isolated from the peoples of the Eurasian landmass. He then goes on (in Chapter 3) to use the Norsemen and the Crusaders to show the importance of not only technology but disease to the ability of Europeans to conquer large swaths of the world. The Medieval Europeans were unsuccessful in their attempts to conquer Vinland and the Middle East because they were up against peoples with the “advantages of prior occupation and more nearly perfect physical and cultural adjustments to the environment…”(69)
In his chapter on Winds (Chapter Five) Crosby adds details to the story of how Europeans became blue water sailors (a skill even the Vikings lacked), details often left out of the traditional accounts of the Age of Exploration as well as a detailed (and succinct) account of how Europeans unlocked the puzzle of the oceanic wind systems which would help them “close the seams of Pangaea” and bring “all oceanic coastlines and their hinterlands” within grasp. (131-133) Continuing with this story, Chapter Seven is where Crosby begins to detail how Europeans began to make “Neo-European cities of” harbors and shorelines from Sydney to San Francisco. And, as he notes in Chapter Eight, just as the descendants of the Marinheiros learned how to adapt and cross the oceans in mass, the passengers on those ships would have adapt in order to live in the lands across said oceans. However, instead of adapting themselves to their new home, they would adapt the land and make it more Europe-like by brining European crops and animals with them. Crosby does note that some of the side effects of this exchange (such as the spread of feral pigs, cattle and even rabbits in some areas) might have been unintended, but in the end, the neo-Europeans were the ones to benefit, intended or not.
Historiographically speaking, this book is an important contribution to the literature of World History, and its’ influence can be felt from books such as Guns, Germs and Steel to 1491 by Charles Mann. Furthermore, Crosby offers historians another lens with which to analyze world history: ecology. Unfortunately, the influence has not spread too far beyond the profession, as many textbooks (even the World History curriculum in Texas) does little to mention the effects of germs on world history. Having said that, the idea of the “Columbian Exchange” is mentioned in both the Texas World History curriculum and the Advanced Placement curriculum, and as new generations of historians are trained one would expect “ecological and biological” lenses to be used more often.
There is little to criticize the author for in this work. His writing style is such that the book is readable by both professionals and the layperson alike. The most interesting aspect of this book was the intervention the author is attempting to make on how we view European imperialism. Most historians have viewed European success as a result of their military acumen and/or their use of technology. Crosby acknowledges that, to some extent, this is true. However, he notes that one must not dismiss the effects of germs. Finally, his logic is sound. When he mentions the lack of success the Crusaders had against the Saracens thanks to the fact that the latter was used to the harsh climate and virulent bugs present in the Levant, it is easy to follow along and difficult to find any holes in his argument. Thus, the book is easy to read and presents an argument that is solid and, almost 3 decades later, enduring.

0 of 0 people found the following review helpful.
Ecological imperialism: The biological expansion of Europe, 900-1900' ...
By Annavictoria
Ecological imperialism: The biological expansion of Europe, 900-1900', by A. W. Crosby, is a cogently argued and well written book. The main thesis of the book is that the expansion by Europeans to the Americas, Australia, New Zealand, and a few other enclaves (what Crosby calls the Neo-Europes) wouldn't have succeeded if the biota the Europeans brought with them had not succeeded. This biota included not only humans, of course, but pathogens, weeds and grasses, and horses, cattle, goats, and pigs, among the most important. Crosby addresses the reasons why this biota was so successful in the new territories, and concludes that, in general, the climatic regimes there were sufficiently similar to those of its European origins and the indigenous biota was so 'naive' that 'victory' was almost assured to the invaders. To be sure, this is not an original conclusion, but the wealth of data Crosby uses, along with his synthetic power and sense of humor, makes of this book an enjoyable and thought-provoking read. People interested in searching for the biological causes of the successes (and failures!) of Europeans in the world should read this engaging book.

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Wednesday, 19 December 2012

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Gonzo Girl: A Novel, by Cheryl Della Pietra

The road to hell is paved with good intentions…and tequila, guns, and cocaine in this “rambunctiously entertaining” (Teddy Wayne) debut novel inspired by the author’s time as Hunter S. Thompson’s assistant.

Alley Russo is a recent college grad desperately trying to make it in the grueling world of New York publishing, but like so many who have come before her, she has no connections and has settled for an unpaid magazine internship while slinging drinks on Bleecker Street just to make ends meet. That’s when she hears the infamous Walker Reade is looking for an assistant to replace the eight others who have recently quit. Hungry for a chance to get her manuscript onto the desk of an experienced editor, Alley jumps at the opportunity to help Reade finish his latest novel.

After surviving an absurd three-day “trial period” involving a .44 magnum, purple-pyramid acid, violent verbal outbursts, brushes with fame and the law, a bevy of peacocks, and a whole lot of cocaine, Alley is invited to stay at the compound where Reade works. For months Alley attempts to coax the novel out of Walker page-by-page, all while battling his endless procrastination, vampiric schedule, Herculean substance abuse, mounting debt, and casual gunplay. But as the job begins to take a toll on her psyche, Alley realizes she’s alone in the Colorado Rockies at the mercy of a drug-addicted literary icon who may never produce another novel—and her fate may already be sealed.

“A margarita-fueled, miniskirt-clad cautionary tale of lost literary innocence” (Vogue), Gonzo Girl is a loving fictional portrait of a larger-than-life literary icon.

  • Sales Rank: #116050 in Books
  • Published on: 2016-04-19
  • Released on: 2016-04-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.25" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Review
“Gonzo Girl is a thrilling fictionalized (just barely) account of working with a true genius—until the celebrity-filled, drug-fueled partying becomes too much.” (Entertainment Weekly (Must List selection))

“A margarita-fueled, miniskirt-clad cautionary tale of lost literary innocence.” (Vogue)

"Gonzo Girl is good, fast fun, like a thrill ride in a red convertible. A 1973 Chevy Caprice Classic, to be exact. You know the one." (Newsday)

“Full throttle from page one, this bildungsroman is a unique and mesmerizing tale about a young woman who must test her own limits and find her own voice to actualize a certain version of the American dream.” (Elle.com)

"Gonzo Girl shares an LSD-like flashback of the margarita-infused chaos of working with an unpredictable literary genius—without the hangover." (Self.com)

“A lighthearted page turner that has the reader constantly trying to differentiate between fact and fiction . . . Gonzo Girl offers a glimpse into the wonderful and weird world of Thompson—or something like it.” (The A. V. Club)

"Fascinating." (Kirkus Reviews)

“Pietra blends amusing imagery, outrageous pranks, and snappy dialog into a lively read. . . . For readers curious about Thompson’s lifestyle and fans of eccentric characters and meandering journeys featuring copious amounts of illegal substances.” (Library Journal)

"While the novel dishes out plenty of illicit good times, Della Pietra also manages to bring moments of poignancy to the narrative. . . . Della Pietra ultimately steers her story to a believable, satisfying, and moving conclusion." (Publishers Weekly)

“Long after the last drink is poured and the final gunshot fired, Cheryl Della Pietra’s novel inspired by her time as Hunter S. Thompson’s assistant will linger in your mind. This debut novel is raucous, page-turning, head-spinning, and side-splitting as it depicts a boss and mentor who is both devil and angel, and a young heroine who finds herself tested in the chaos that surrounds him. An intense story, Della Pietra’s tale about writing, firearms, psychotropics, and the pros and cons of hot tubs will suck you in and take you on ride. Gonzo Girl is a ticket you want to buy.” (Piper Kerman, author of Orange Is the New Black)

“Gonzo Girl is as rambunctiously entertaining as the badly behaved famous journalist who inspired the creation of Walker Reade. Cheryl Della Pietra writes with wit and an eye for the bizarre detail worthy of her former employer, and her debut novel spins, at a cocaine-fueled pace, a moving and insightful coming-of-literary-age story.” (Teddy Wayne, author of The Love Song of Jonny Valentine)

About the Author
Cheryl Della Pietra is a longtime New York City magazine editor, writer, and copy editor. She has published numerous stories in such magazines as Marie Claire, Redbook, and POV Magazine. After graduating from the University of Pennsylvania, she lived with Hunter S. Thompson in Woody Creek, Colorado, for several months in 1992, where she worked as his assistant. She currently lives in Branford, Connecticut, with her husband and son.

Excerpt. � Reprinted by permission. All rights reserved.
Gonzo Girl

CHAPTER 1

Everybody is laughing except for me. I’m scanning the faces, trying to remember names, as they listen to Walker Reade recite from his novel in progress. To my right sits Devaney Peltier—that’s how she introduced herself to me, first and last name, like she’s kind of a big deal. She’s Walker’s full-time girlfriend, and she’s braying like a donkey, the act made more absurd by the rings of white powder encircling her nostrils like two tiny powdered doughnuts. Claudia Reynolds, the aging assistant, is curled up across from me, gazing at Walker in adoration, laughing the hardest. To my left sits Rene Wang—or enfant terrible artist Rene Wang, as he’s been described, without fail, in the New York City media since the day in 1983 when he famously set dozens of roosters loose in Times Square in a performance-art piece he called Koch’s Cocks Can. He’s chuckling lightly, his lips pursed, eyebrows up—his “hysterical” look, I will later learn—as he taps a long ash from his Davidoff cigarette into the mermaid-shaped tray on the table before him. I don’t have to work to recall the names of the other two people here. They’re undeniably famous. Crushed up beside Rene, almost sitting in his lap, is former vice-presidential candidate George Stains, his head thrown back, lips glossed with scotch, a small drop of blood dried at the bottom of one nostril. And next to Claudia is Larry Lucas, former teenage heartthrob, now Oscar-winning actor, doubled over like a man passing a kidney stone. Everyone is in hysterics. The only problem is, I’m not sure what they’re laughing at.

Devaney passes a large tray of cocaine to me—if it were flour, it would be enough to bake a small cake—and I smile and nod, as if she were handing me a plate full of mini-quiche. I have, to this point in my life, done exactly two lines of coke, with an ex–college boyfriend. He was filthy rich, and coke is what the filthy-rich college boys did when it was time to do drugs. I did those lines to try to fit in with his crowd—the same conundrum I’m weighing right now. To stall, I daintily perch the tray on my knee and listen politely. A notebook sits on the table in front of me. I brought it here to Colorado from New York City. It’s a reporter’s notebook, the kind I sometimes use for my own writing. I think it will be good for taking notes. I think it will show I am serious about wanting this job.

“That is so�.�.�. fucking�.�.�. funny, Walker,” says Larry, as I try to keep my face from flushing. Larry Lucas, it’s worth noting, played the leading man in several of the teen comedies of my adolescence and, suffice to say, played a leading role in more than a few of my teenage NC-17 fantasies. Under other, less overwhelming circumstances, I might be breathless about the fact that I can reach out and touch him.

“Y’all’re’funny, Walker, baby,” says Devaney, threatening to turn an entire sentence into a contraction.

When, after several more seconds of collective howling, my gaze drifts back to Claudia, I notice something: her eyes are open wide, unblinking, pleading. I can be a little dense in moments like these—too caught up in processing my surroundings—but I sense that she might be signaling me to do something. She’s smiling at me wide and crazy, like some kind of insane puppet. Then it occurs to me a second too late.

I’m supposed to be laughing, too.

“Hey, new girl.” My head snaps toward Walker, and I reach for my notebook, still balancing the enormous tray I’ve yet to partake from.

Rene, sensing opportunity, reaches for the coke. “Let me help you out with that, honey,” he says, his face entirely too close to mine. He snorts two quick lines and passes the tray to George, barely looking at him. The room is eerily quiet as I scan the faces once more. We’re in Walker’s living-room-cum-kitchen, the six of us arranged on his perfectly circular couch like numbers on a leather clockface. A round coffee table is at the center of the couch, and it holds the group’s detritus: George’s scotch glass and bottle of Dewar’s, Rene’s pack of Davidoffs, Claudia’s Dunhill blues, Devaney’s Newports, Larry’s Heineken, an enormous unsmoked joint, the aforementioned mermaid ashtray, a matching dolphin ashtray, my highball of Wild Turkey, Claudia’s glass of red wine, Rene’s Metaxa sidecar, which I helped him mix in an effort at chumminess, and Devaney’s vodka and cranberry. The tray of coke never really settles on the table. It just keeps getting passed around like it’s crowd-surfing at a Hole concert.

The only way to get on and off the couch is by climbing over the back. The only person not on the couch is Walker, who is perched behind us on a barstool tucked into a long counter. There’s little doubt about the message the seating arrangement sends: he’s the captain on this ship of fools.

“Hello? Is she alive?”

“Yes, Walker, sorry,” I say.

“What are you sorry about?”

I look around the room for another cue. Claudia is now focused on rolling a piece of lint between her thumb and forefinger.

“Go easy on her, Walker. She’s just getting the lay of the land,” Larry says.

Walker ignores Larry completely and fixes his aviator sunglasses on me. “Speak, for Christ’s sake!”

My heart begins pounding so hard I can feel it in my ears. The strangers here probably wouldn’t offer me more than mildly detached concern under normal circumstances. But now that every�one is coked up and drunk, I am little more than a buzzkill. I knew this outburst was coming one way or another. I knew from the books, the articles, the interviews. I have done my homework. Walker Reade does not suffer fools, and no one—not presidents, CEOs, law enforcement—gets a pass. I also know from said research that caving is worse. I square my shoulders to him and try to remain calm. “I was just listening, Walker. If I’m going to be your assistant, I need to know the story.”

Walker stares at me now from over his sunglasses. His eyes are a pale steel blue. “That doesn’t mean you can’t enjoy it, too.”

“But I was enjoying it. Very much.” Walker worries his Zippo around in his hand. I can make out the skull and crossbones on the front of it every other turn. He grabs a Dunhill red from the pack in front of him; the room is so quiet that the schk of the lighter visibly startles Rene, who appears to run at two speeds: aggressively engaged or disconcertingly spaced-out.

“Then crack a smile, dumbhead.”

George clears his throat and passes the tray of coke to Claudia, who immediately passes it to Larry. Everyone is quiet, waiting to see what’s going to happen next, including me.

“I’m not dumb,” I stammer back, sounding far less convincing than I had hoped.

“Oh, that’s right,” Walker says. “Alessandra here went to an Ivy League school.” Devaney shifts uncomfortably on the couch. I can actually hear her teeth grinding. “It says so right here, on her thin r�sum�.”

Walker pulls a piece of paper from a folder on the counter in front of him, and I visibly recoil. I’m a year out of college. The last thing I want is a staged reading of my r�sum� in front of this crowd.

“I thought it was great,” I say.

“Which part?” He blows a cloud of smoke directly in front of him, seemingly unaware that it wafts directly onto Devaney’s head.

In truth I cannot recall a single coherent passage from what has just been read to me, and I briefly wonder what superman at Burch Press is tasked with making this book readable. “All of it, Walker. It’s really funny.”

“All right. What does it remind you of? Which of my works does it remind you of?” He takes off his Tilley hat and sunglasses and downs the rest of his Chivas and water. Without his signature armor—aviators and hat—he’s suddenly transformed from iconic writer/drug-addled playboy to unexpectedly sexy middle-school math teacher. He’s only in his early fifties; I didn’t expect him to be almost completely bald.

I can feel the clock ticking. What does it remind me of? I’ve read all of Walker’s books many times over, except the last two—the penultimate one a collection of political essays regurgitated from various magazines, and the most recent one so poorly reviewed that I couldn’t justify allocating even a fraction of my meager financial resources toward it. The previous five were so fluid and tight that nothing about what he’s just read reminds me of any of them.

I glance back at Claudia. She’s trying—and failing—to subtly mouth something to me. I look to Larry, who simply scrunches up his face and runs his hand through his thick, dark hair, winking, a gesture that I assume is intended to convey that this drill is somehow par for the course. Larry passes the tray of coke to Walker, trying to distract him.

“Here you go, big guy. Let’s have some fun. When does the game start?” The crowd is ostensibly here for an NBA play-off game.

“Half an hour,” Walker says shortly, passing the tray to Devaney while still staring at me. Rene lights up the joint, choking mightily on the first drag.

“Am I in a time warp here? Is time standing still for anyone else? I asked a goddamn question. What does it remind you of?”

“The second half of The Wake?” I say halfheartedly, referring to Walker’s fourth novel.

Walker actually ponders this for a moment—surprised, I think, that I’ve answered him. After a long pause, he says, in overly dramatic fashion, “Why, oh why, can’t I find someone with half a brain in her head to fucking help me? It’s not like I’m trying to find a neurosurgeon with a pretty face.�.�.�. You would think I was looking for someone to take notes in Mandarin�.�.�. or separate water into its hydrogen and oxygen atoms. But I don’t need any of that, do I?” Although this seems a rhetorical question, several people are, in fact, shaking their heads. “I just need someone who knows my books and has working index fingers to press a few buttons on my fax machine. Why on earth is this so hard�.�.�.�?” He trails off before barking, “Try again!”

“I’m sorry, Walker. I don’t know.”

“What in the fuck do you mean you don’t know?”

“It’s very�.�.�. unique.” My mouth goes dry.

Rene cringes when I say the word. He passes the joint George’s way.

“Well, looks like I have another moron on my hands. Where does Hans find these people?”

“Excuse me?” I say.

George pours himself another three fingers of scotch and takes the joint from Rene. It’s jarring to watch George consume drugs like a cracked-out nickel whore. I mean, the man was once the state of Ohio and a heartbeat away from running the free world.

“Have you even read anything I’ve ever written, missy? You and your stupid notebook.”

“Of course I have.” Not only have I read all of Walker’s early work, I have studied it extensively. You don’t come of age in the 1980s as an aspiring writer without at least a passing familiarity with the oeuvre of Walker Reade. There had been a time, not long ago, when Walker Reade was not just a writer—Walker Reade was a Writer Who Mattered. Regardless, I sense that this is perhaps the wrong moment to tell him Liar’s Dice is what made me want to write, or that his radical social commentary altered my worldview. I tuck the notebook behind my back and try to casually hold my drink. Every move I make now feels conspicuous.

“You hate it,” says Walker.

“I don’t.”

“If you’re going to be out here, you have to tell me the truth. That’s what you’re getting paid to do!”

I briefly consider reminding him that I’m not getting paid anything until he officially hires me. This is my three-day trial period. Even if I survive this, I won’t get paid until he delivers some real pages. That is what I’ve been told the deal is.

“Walker, go easy. It’s her first day,” Claudia says.

“Walker, baby, let’s go do something fun,” says Devaney, popping up from the couch like a character in a musical. She passes the tray of coke to me.

Walker ignores her, goes into the other room, and emerges with his seven books, every one a hardcover. He stacks them on the counter. Biker�.�.�. bam! Liar’s Dice�.�.�. bam! Ship of Fools�.�.�. bam! The Wake�.�.�. bam! Crossroad�.�.�. bam! Rabbit Hole�.�.�. bam! Traffic�.�.�. bam!

“To the cabin,” he demands, pointing my way out the door. “And don’t come back over here till you’ve read these—no, memorized these.�.�.�. And are you going to do that fucking line or what?” I stare down at the tray of coke I’ve been holding entirely too long for this crowd. I’ve been a bartender for three years. I’m a drinks girl, not a drugs girl. I’m horribly ambivalent about the tray in front of me. Too ambivalent, I think, for this place. I pass the tray to Rene and attempt to scuttle over the back of the couch, thinking I’ve just fucked this whole thing up in less than an hour. My shot. I grab the books, feeling hot down my neck, as I hold my head high—as if my literary hero hasn’t just called me an idiot—and retire to my quarters.

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0 of 0 people found the following review helpful.
and it adopts a style very much like Hunter S
By Stephen Nathaniel Dethrage
Cheryl Della Pietra's "Gonzo Girl" is, by her estimation, 60 percent true, and it adopts a style very much like Hunter S. Thompson's own to tell the story of how Pietra once spent several months as his writing assistant at his cabin in the mountains. Like Thompson, Pietra tells her own story by telling another. Thompson becomes Walker Reade, Pietra becomes Alley Russo, and some of the facts of the time she spent with him become fictional embellishments. All this is done masterfully well, as Pietra tells a story that stands well on its own but also sheds light on the Thompson's private life.

0 of 0 people found the following review helpful.
7.5
By Ms. Wood
Enjoyed this book. Lots of drug references. Main character was difficult for me to identify with, but well written and worth the time.

1 of 2 people found the following review helpful.
Don't waste your time.
By A. Rock
I had to go back and check to see if this was listed as a YA novel-- it would have made more sense to me, heaps of coke notwithstanding.

It was the most predicable, boring novel. A thinly-veiled memoir.

The main character is so naive, it seems hard to believe that this book had an editor. She is constantly whining about how no one cares about her novel, or that she likes a movie star, or that this movie star that she likes brings some other girl out to visit. She is always huffing, and puffing, and saying "so not fair! how could you do this to me?!" like she is a teenager-- not an Ivy League grad from a blue collar family.

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Tuesday, 18 December 2012

[I465.Ebook] PDF Ebook Introduction to Recreation Services for People with Disabilities, by Charles C. Bullock, Michael J. Mahon, Charles L. Killingsworth

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Introduction to Recreation Services for People with Disabilities, by Charles C. Bullock, Michael J. Mahon, Charles L. Killingsworth

Book by Charles C. Bullock, Michael J. Mahon, Charles L. Killingsworth

  • Sales Rank: #744112 in Books
  • Brand: Brand: Sagamore Publishing LLC
  • Published on: 2010-04
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.09" h x 1.10" w x 10.24" l, .0 pounds
  • Binding: Paperback
  • 476 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
One Star
By Amazon Customer
Duck tapped on the inside.

1 of 1 people found the following review helpful.
Introduction to recreation services for people with disabilities
By Joav Merrick
This is the third edition and introduction to students in recreation, parks and leisure studies by Charles Bullock, dean of the College of Applied Sciences and Arts from San Jose University, Michael Mahon, the president of the University of Lethbridge and Charles Killingsworth, professor in the Department of Health, Human Performance and Recreation at Pittsburg State University.

In 17 chapters the authors have managed to make a comprehensive book about people with disabilities, the history of disability, discrimination, barriers and solution for recreational services for this population. There are special chapters for people with intellectual disability, physical disability, visual impairment, hearing loss and mental illness.

The book ends with a framework for action and include an appendix with the Americans with disabilities act checklist for readily achievable barrier removal and an example of a disabilities awareness event.

This book should be a must for every student in recreational therapy and practice.

Professor Joav Merrick, MD, MMedSci, DMSc
National Institute of Child Health and Human Development, Office of the Medical Director, Health Services, Division for Mental Retardation, Ministry of Social Affairs, Jerusalem and Kentucky Children's Hospital, Department of Pediatrics, University of Kentucky College of Medicine, Lexington, Kentucky, United States. E-mail: jmerrick@zahav.net.il

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Thursday, 13 December 2012

[L611.Ebook] Download Ebook Putting Meat on the American Table: Taste, Technology, Transformation

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Friday, 7 December 2012

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Shantaram, by Gregory David Roberts

Shantaram, by Gregory David Roberts



Shantaram, by Gregory David Roberts

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Shantaram, by Gregory David Roberts

*One of AudioFile's Best Audiobooks of 2007 *

[Read by Humphrey Bower]

This mesmerizing first novel tells the epic journey of Lin, an escaped convict who flees maximum security prison in Australia to disappear into the underworld of contemporary Bombay, a hidden society of beggars and gangsters, prostitutes and holy men, actors and exiles. Accompanied by his guide and faithful friend, Prabaker, Lin searches for love and meaning while running a clinic in one of the city's poorest slums and serving his apprenticeship in the dark arts of the Bombay mafia. The keys to unlock the mysteries that bind Lin are held by two people: his mentor Khader Khan, mafia godfather and criminal-philosopher, and the beautiful, elusive Karla, whose passions are driven by dangerous secrets. Based on the life of the author, this extraordinary debut has the world of human experience in its reach.

  • Sales Rank: #1468012 in Books
  • Published on: 2006-10-01
  • Formats: Audiobook, Unabridged
  • Original language: English
  • Number of items: 35
  • Dimensions: 2.35" h x 5.16" w x 5.88" l,
  • Binding: Audio CD
  • 35 pages

Amazon.com Review
Crime and punishment, passion and loyalty, betrayal and redemption are only a few of the ingredients in Shantaram, a massive, over-the-top, mostly autobiographical novel. Shantaram is the name given Mr. Lindsay, or Linbaba, the larger-than-life hero. It means "man of God's peace," which is what the Indian people know of Lin. What they do not know is that prior to his arrival in Bombay he escaped from an Australian prison where he had begun serving a 19-year sentence. He served two years and leaped over the wall. He was imprisoned for a string of armed robberies peformed to support his heroin addiction, which started when his marriage fell apart and he lost custody of his daughter. All of that is enough for several lifetimes, but for Greg Roberts, that's only the beginning.

He arrives in Bombay with little money, an assumed name, false papers, an untellable past, and no plans for the future. Fortunately, he meets Prabaker right away, a sweet, smiling man who is a street guide. He takes to Lin immediately, eventually introducing him to his home village, where they end up living for six months. When they return to Bombay, they take up residence in a sprawling illegal slum of 25,000 people and Linbaba becomes the resident "doctor." With a prison knowledge of first aid and whatever medicines he can cadge from doing trades with the local Mafia, he sets up a practice and is regarded as heaven-sent by these poor people who have nothing but illness, rat bites, dysentery, and anemia. He also meets Karla, an enigmatic Swiss-American woman, with whom he falls in love. Theirs is a complicated relationship, and Karla’s connections are murky from the outset.

Roberts is not reluctant to wax poetic; in fact, some of his prose is downright embarrassing. Throughought the novel, however, all 944 pages of it, every single sentence rings true. He is a tough guy with a tender heart, one capable of what is judged criminal behavior, but a basically decent, intelligent man who would never intentionally hurt anyone, especially anyone he knew. He is a magnet for trouble, a soldier of fortune, a picaresque hero: the rascal who lives by his wits in a corrupt society. His story is irresistible. Stay tuned for the prequel and the sequel. --Valerie Ryan

From Publishers Weekly
At the start of this massive, thrillingly undomesticated potboiler, a young Australian man bearing a false New Zealand passport that gives his name as "Lindsay" flies to Bombay some time in the early '80s. On his first day there, Lindsay meets the two people who will largely influence his fate in the city. One is a young tour guide, Prabaker, whose gifts include a large smile and an unstoppably joyful heart. Through Prabaker, Lindsay learns Marathi (a language not often spoken by gora, or foreigners), gets to know village India and settles, for a time, in a vast shantytown, operating an illicit free clinic. The second person he meets is Karla, a beautiful Swiss-American woman with sea-green eyes and a circle of expatriate friends. Lin's love for Karla—and her mysterious inability to love in return—gives the book its central tension. "Linbaba's" life in the slum abruptly ends when he is arrested without charge and thrown into the hell of Arthur Road Prison. Upon his release, he moves from the slum and begins laundering money and forging passports for one of the heads of the Bombay mafia, guru/sage Abdel Khader Khan. Eventually, he follows Khader as an improbable guerrilla in the war against the Russians in Afghanistan. There he learns about Karla's connection to Khader and discovers who set him up for arrest. Roberts, who wrote the first drafts of the novel in prison, has poured everything he knows into this book and it shows. It has a heartfelt, cinemascope feel. If there are occasional passages that would make the very angels of purple prose weep, there are also images, plots, characters, philosophical dialogues and mysteries that more than compensate for the novel's flaws. A sensational read, it might well reproduce its bestselling success in Australia here.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
A thousand pages is like a thousand pounds--it sounds like too much to deal with. Nevertheless, Roberts' very long novel sails along at an amazingly fast clip. Readers in the author's native Australia apparently finished every page of it, for they handed it considerable praise. Now U.S. readers can enjoy this rich saga based on Roberts' own life: escape from a prison in Australia and a subsequent flight to Bombay, which is exactly what happens to Lindsay, the main character in the novel; once in Bombay, he joins the city's underground. Roberts graphically, even beautifully, evokes that milieu--he is as effective at imparting impressions as any good travel writer--in this complex but cohesive story about freedom and the lack of it, about survival, spiritual meaning, love, and sex; in other words, about life in what has to be one of the most fascinating cities in the world. One's first impression of this novel is that it is simply a good story, but one soon comes to realize that Roberts is also a gifted creator of characters--not only Lindsay but also Prabaker, who becomes Lindsay's guide, caretaker, and entree into various elements of Bombay society. Soon, too, one becomes aware and appreciative of Roberts' felicitous writing style. In all, despite the novel's length, it is difficult not to be ensnared by it. And, be forewarned, it will be popular. Brad Hooper
Copyright � American Library Association. All rights reserved

Most helpful customer reviews

6 of 6 people found the following review helpful.
Outstanding, heads and tails above the run of the mill book!
By Kip Derringer
The books plot, twists, and pace would make a great book in itself but it would have to be shorter. It is over 900 pages. What caught me is without trying to shove it down your throat is the Author's love of people. Good, bad, ugly, beautiful, extremely poor, extremely rich, strange, and even straight out hell types of people. The author and main character who who portrays himself as no pillar of society seems to have an intense love of humans and human nature. Not only are the characters and what they do complex but no matter how deep or shallow they are in crime ranging from petty scammers to murderers and even torturers, in by far most cases he pulls the good out of them and demonstrates that even though people get themselves in these situations regularly, that we consider heinous crimes, there is actually good in them that may be hidden deep but is in every human being.

It not only did its job of entertaining, but got me to thinking philosophically about people when I was not reading it. Anybody that knows me would not consider me a philosophical thinker. That is why I rated the mood as thoughtful though it works up to to being every bit as much suspenseful. It is an incredible book that starts out interesting and moved on to the point where if I could manage to put it down by midnight I couldn't wait to get myself back to reading it. I read the book twice. After the first time I went to Southeast Asia, not including India which is the setting of the book, but once to Thailand and twice to Nepal. I really enjoyed the people and some of them could make me laugh harder than I ever have in my life. But they were always trying to pull petty scams. Then when I got back from my third trip I read Shantaram the second time and it put things into perspective. They assume we are all rich while the poorest of them live in plywood and cardboard houses with plastic scraps held down by rocks for a roof. So what is it for the Americans who likely paid over 2K Just to get there and back to get suckered in a petty scam. I thought about my loss of $60.00 to a scam and it seemed more ignorance on my part than a crime on their part and just learned to be more prepared and knowledgeable the next time I bought something. I really liked them other than having to be wary of the scam at any time. But that was all part of the some of the best experiences i had in my life. In addition when I saw how many people were poor and how they lived, I just considered it a donation to charity that can't be written off. Big Deal. Those were the best experiences I ever had.

3 of 3 people found the following review helpful.
Epic read
By Mr. Carver
I am not a fast reader. I figure I owe it to the author to savor each line and not try to get through the whole book in a short time. Otherwise, it would be like jogging through the National Gallery of Art. What that means is that I probably never would have purchased this book if I saw it on the shelf of a book store. Too big - it would take me months to finish that. But, that's one thing about my Kindle. You don't realize how big some books are. At least not until I read for an hour and still hadn't made it to 2%.

And to be honest, if I had known more about the premise of the book, I probably wound't have bought it. I'm just not in to stories about organized crime, counterfeiting, murder, torture, and the like.

But given all that, I'm so glad that I did start, and eventually finish, this book. It is an epic story, one of those bigger than life novels that spins a whole series of subplots into one, where characters grow and change, and in which lots of life lessons are taught. Of all the modern novels that I've read lately, this is the one that is closest to true classic literature. The main characters expounds on locations and relationships with his friends, lovers, and colleagues using a language that is descriptive and bordering on poetry. Some lines sound corny, but you just have to let yourself fall into it. Feel the love, and the fear, as he does.

I wanted to read it slowly - to really imagine the settings, the crowds, the noises, even the smells. This book takes you to a setting moreso than almost any other book I've read. The descriptions of people and places are detailed and nuanced and insightful. You really do feel like you are on the streets of Bombay. Perhaps that is why some feel the book is way too long. Much of that page space is devoted to descriptions of the setting. Just savor it. You'll get back to plot soon enough.

It's a great read. Get it, and spend a couple months digesting it slowly.

3 of 3 people found the following review helpful.
are YOU in for a ride...! ; - )
By Isaac Mizrahi
well...
to begin with...the descriptions above for 'which of these words best describes the mood...'. hopeful? yes. dark? yes. nostalgic? yes.
light hearted? uh huh. suspenseful? you BET! thoughtful? throughout...
no doubt...this book will take you through your entire inventory of emotions...
it gives you a lengthy tour of bombay, as well. for the mere cost of the book.
probably one of the best(out of, easily, 1000) books i've ever read. great story, characterizations and insights into the soul of
humanity...in all its pantheonic aspects...
easily described as a 'something for everyone' book.
and here's the real kicker...it's semi-autobiographical...
and to be released as a film in the not too distant future...
i could hardly recommend it highly enough...

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Thursday, 6 December 2012

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The Playbook Publisher: Touchstone; Original edition, by Matt Kuhn Barney Stinson

  • Sales Rank: #1292143 in Books
  • Published on: 2010
  • Binding: Paperback

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Sunday, 2 December 2012

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  • Published on: 1602
  • Binding: Mass Market Paperback

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